John Cage

Left to itself art would have to be something very simple - it would be sufficient for it to be beautiful. But when it's useful it should spill out of just being beautiful and move over to other aspects of life so that when we're not with the art it has nevertheless influenced our actions or our responses.
HV2 No. 6
HV2 No. 6, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14" ; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 10
HV2 No. 10, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 14
HV2 No. 14, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14" ; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 14b
HV2 No. 14b, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 14c
HV2 No. 14c, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 17a
HV2 No. 17a, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 17b
HV2 No. 17b, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 19a
HV2 No. 19a, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 19b
HV2 No. 19b, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 19c
HV2 No. 19c, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 20
HV2 No. 20, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 24
HV2 No. 24, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 22
HV2 No. 22, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 25a
HV2 No. 25a, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV2 No. 25b
HV2 No. 25b, 1992
One from a series of fifteen color aquatints printed in three impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
The Missing Stone
The Missing Stone, 1989
Color spit bite aquatint with sugar lift aquatint on smoked paper.
45 x 36"; 54 x 41". 25.
Crown Point Press and Pamela Paulson.
$30,000 fair market value    Unavailable
75 Stones
75 Stones, 1989
Color spit bite aquatint with sugar lift aquatint on smoked paper.
45 x 36"; 54 x 41". 25.
Crown Point Press and Pamela Paulson.
$30,000 fair market value    Unavailable
Variations III No. 1
Variations III No. 1, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 3
Variations III No. 3, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 4
Variations III No. 4, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 5
Variations III No. 5, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 6
Variations III No. 6, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 7
Variations III No. 7, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 8
Variations III No. 8, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 9
Variations III No. 9, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 10
Variations III No. 10, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 11
Variations III No. 11, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 12
Variations III No. 12, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 13
Variations III No. 13, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 14
Variations III No. 14, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 15
Variations III No. 15, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Variations III No. 16
Variations III No. 16, 1992
One in a series of 57 monotypes with branding on smoked paper.
varies 17½–19¼ x 25¾–26¼"; varies 17½–19¼ x 25¾–26¼".
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Without Horizon No. 1
Without Horizon No. 1, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 2
Without Horizon No. 2, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 3
Without Horizon No. 3, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 4
Without Horizon No. 4, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 5
Without Horizon No. 5, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 6
Without Horizon No. 6, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 7
Without Horizon No. 7, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market valu    Unavailable
Without Horizon No. 8
Without Horizon No. 8, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 10
Without Horizon No. 10, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 11
Without Horizon No. 11, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 12
Without Horizon No. 12, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 13
Without Horizon No. 13, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 14
Without Horizon No. 14, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 15
Without Horizon No. 15, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 16
Without Horizon No. 16, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 17
Without Horizon No. 17, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 18
Without Horizon No. 18, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 19
Without Horizon No. 19, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 20
Without Horizon No. 20, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 21
Without Horizon No. 21, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 23
Without Horizon No. 23, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 24
Without Horizon No. 24, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 25
Without Horizon No. 25, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 26
Without Horizon No. 26, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 27
Without Horizon No. 27, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 28
Without Horizon No. 28, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 29
Without Horizon No. 29, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 30
Without Horizon No. 30, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 31
Without Horizon No. 31, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 32
Without Horizon No. 32, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 33
Without Horizon No. 33, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 34
Without Horizon No. 34, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 35
Without Horizon No. 35, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 36
Without Horizon No. 36, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 37
Without Horizon No. 37, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 38
Without Horizon No. 38, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 39
Without Horizon No. 39, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 40
Without Horizon No. 40, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 41
Without Horizon No. 41, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 42
Without Horizon No. 42, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 44
Without Horizon No. 44, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 45
Without Horizon No. 45, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 46
Without Horizon No. 46, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 47
Without Horizon No. 47, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 48
Without Horizon No. 48, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 50
Without Horizon No. 50, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 51
Without Horizon No. 51, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 52
Without Horizon No. 52, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 53
Without Horizon No. 53, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 54
Without Horizon No. 54, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 56
Without Horizon No. 56, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Without Horizon No. 57
Without Horizon No. 57, 1992
One in a series of 57 unique prints with drypoint, aquatint, and hard and soft ground etching on smoked paper.
7½ x 8½"; 7½ x 8½".
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Smoke Weather Stone Weather 1
Smoke Weather Stone Weather 1, 1991
One from a series of 37 unique prints; drypoint, spit bite and sugar lift aquatints with soft ground etching on smoked paper.
15½ x 20"; 15½ x 20".
Crown Point Press and Paul Mullowney.
$20,000 fair market value    Unavailable
Smoke Weather Stone Weather 5
Smoke Weather Stone Weather 5, 1991
One from a series of 37 unique prints; drypoint, spit bite and sugar lift aquatints with soft ground etching on smoked paper.
15½ x 20"; 15½ x 20".
Crown Point Press and Paul Mullowney.
$20,000 fair market value    Unavailable
Smoke Weather Stone Weather 8
Smoke Weather Stone Weather 8, 1991
One from a series of 37 unique prints; drypoint, spit bite and sugar lift aquatints with soft ground etching on smoked paper.
15½ x 20"; 15½ x 20".
Crown Point Press and Paul Mullowney.
$20,000 fair market value    Unavailable
Smoke Weather Stone Weather 14
Smoke Weather Stone Weather 14, 1991
One from a series of 37 unique prints; drypoint, spit bite and sugar lift aquatints with soft ground etching on smoked paper.
15½ x 20"; 15½ x 20".
Crown Point Press and Paul Mullowney.
$20,000 fair market value    Unavailable
Smoke Weather Stone Weather 15
Smoke Weather Stone Weather 15, 1991
One from a series of 37 unique prints; drypoint, spit bite and sugar lift aquatints with soft ground etching on smoked paper.
15½ x 20"; 15½ x 20".
Crown Point Press and Paul Mullowney.
$20,000 fair market value    Unavailable
Smoke Weather Stone Weather 20
Smoke Weather Stone Weather 20, 1991
One from a series of 37 unique prints; drypoint, spit bite and sugar lift aquatints with soft ground etching on smoked paper.
15½ x 20"; 15½ x 20".
Crown Point Press and Paul Mullowney.
$20,000 fair market value    Unavailable
Smoke Weather Stone Weather 21
Smoke Weather Stone Weather 21, 1991
One from a series of 37 unique prints; drypoint, spit bite and sugar lift aquatints with soft ground etching on smoked paper.
15½ x 20"; 15½ x 20".
Crown Point Press and Paul Mullowney.
$20,000 fair market value    Unavailable
Smoke Weather Stone Weather 22
Smoke Weather Stone Weather 22, 1991
One from a series of 37 unique prints; drypoint, spit bite and sugar lift aquatints with soft ground etching on smoked paper.
15½ x 20"; 15½ x 20".
Crown Point Press and Paul Mullowney.
$20,000 fair market value    Unavailable
Smoke Weather Stone Weather 30
Smoke Weather Stone Weather 30, 1991
One from a series of 37 unique prints; drypoint, spit bite and sugar lift aquatints with soft ground etching on smoked paper.
15½ x 20"; 15½ x 20".
Crown Point Press and Paul Mullowney.
$20,000 fair market value    Unavailable
Dramatic Fire
Dramatic Fire, 1989
Aquatint on smoked paper.
11 x 15"; 18¼ x 23". 25.
Crown Point Press and Pamela Paulson.
$12,000 fair market value    Unavailable
Global Village 1- 36
Global Village 1- 36, 1989
Aquatint on two sheets of brown smoked paper.
38½ x 26½"; 38½ x 26½". 15.
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
Global Village 37-48
Global Village 37-48, 1989
Aquatint on two sheets of gray smoked paper.
35½ x 26"; 35½ x 26". 15.
Crown Point Press and Pamela Paulson.
$15,000 fair market value    Unavailable
9 Stones
9 Stones, 1989
Color spit bite and sugar lift aquatints on smoked paper.
8 x 14"; 18¼ x 23". 20.
Crown Point Press and Pamela Paulson.
$14,000 fair market value    Unavailable
9 Stones 2
9 Stones 2, 1989
Color spit bite and sugar lift aquatints on smoked paper.
14 x 16"; 23 x 18¼". 20.
Crown Point Press and Pamela Paulson.
$14,000 fair market value    Unavailable
10 Stones
10 Stones, 1989
Color spit bite and sugar lift aquatints on smoked paper.
8 x 14½"; 18¼ x 23". 20.
Crown Point Press and Pamela Paulson.
$14,000 fair market value    Unavailable
10 Stones 2
10 Stones 2, 1989
Color spit bite and sugar lift aquatints on smoked paper.
14 x 16"; 23 x 18¼". 20.
Crown Point Press and Pamela Paulson.
$14,000 fair market value    Unavailable
11 Stones
11 Stones, 1989
Color spit bite and sugar lift aquatints on smoked paper.
14 x 16"; 23 x 18¼". 20.
Crown Point Press and Pamela Paulson.
$14,000 fair market value    Unavailable
11 Stones 2
11 Stones 2, 1989
Color spit bite and sugar lift aquatints on smoked paper.
8 x 14½"; 18¼ x 23". 20.
Crown Point Press and Pamela Paulson.
$14,000 fair market value    Unavailable
Where There Is Where There Urban Landscape No. 3
Where There Is Where There Urban Landscape No. 3, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Where There Is Where There Urban Landscape No. 6
Where There Is Where There Urban Landscape No. 6, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Where There Is Where There Urban Landscape No. 16
Where There Is Where There Urban Landscape No. 16, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Where There Is Where There Urban Landscape No. 19
Where There Is Where There Urban Landscape No. 19, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Where There Is Where There Urban Landscape No. 20
Where There Is Where There Urban Landscape No. 20, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Where There Is Where There Urban Landscape No. 21
Where There Is Where There Urban Landscape No. 21, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Where There Is Where There Urban Landscape No. 23
Where There Is Where There Urban Landscape No. 23, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Where There Is Where There Urban Landscape No. 24
Where There Is Where There Urban Landscape No. 24, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30" .
Crown Point Press and Marcia Bartholme.
$8,000     InquireInquire
Where There Is Where There Urban Landscape No. 26
Where There Is Where There Urban Landscape No. 26, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000    Unavailable
Where There Is Where There Urban Landscape No. 30
Where There Is Where There Urban Landscape No. 30, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000    Unavailable
Where There Is Where There Urban Landscape No. 32
Where There Is Where There Urban Landscape No. 32, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Where There Is Where There Urban Landscape No. 41
Where There Is Where There Urban Landscape No. 41, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    InquireInquire
Where There Is Where There Urban Landscape No. 42
Where There Is Where There Urban Landscape No. 42, 1987-89
From a series of 48 unique color aquatints with flat bite etching.
17 x 24"; 22¾ x 30" .
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Deka No. 35
Deka No. 35, 1987
One from a series of 45 unique color aquatints with flat bite etching.
11 x 15¾"; 15¾ x 19".
Crown Point Press and Renée Bott.
$8,000 fair market value    Unavailable
Variations No. 1
Variations No. 1, 1987
From a series of 44 smoke paper monotypes with branding.
9 x 11"; 9 x 11".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Variations No. 2
Variations No. 2, 1987
From a series of 44 smoke paper monotypes with branding.
9 x 11"; 9 x 11".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Variations No. 5
Variations No. 5, 1987
From a series of 44 smoke paper monotypes with branding.
9 x 11"; 9 x 11".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Variations No. 22
Variations No. 22, 1987
From a series of 44 smoke paper monotypes with branding.
9 x 11"; 9 x 11".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Variations No. 26
Variations No. 26, 1987
From a series of 44 smoked paper monotypes with branding.
9 x 11"; 9 x 11".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Variations No. 31
Variations No. 31, 1987
From a series of 44 smoke paper monotypes with branding.
9 x 11"; 9 x 11".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Variations No. 40
Variations No. 40, 1987
From a series of 44 smoke paper monotypes with branding.
9 x 11"; 9 x 11".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Variations No. 42
Variations No. 42, 1987
From a series of 44 smoke paper monotypes with branding.
9 x 11"; 9 x 11".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Variations No. 43
Variations No. 43, 1987
From a series of 44 smoke paper monotypes with branding.
9 x 11"; 9 x 11".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
Variations No. 44
Variations No. 44, 1987
From a series of 44 smoke paper monotypes with branding.
9 x 11"; 9 x 11".
Crown Point Press and Marcia Bartholme.
$8,000 fair market value    Unavailable
EninKa No. 9
EninKa No. 9, 1986
Number 9 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 11
EninKa No. 11, 1986
Number 11 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 14
EninKa No. 14, 1986
Number 14 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 17
EninKa No. 17, 1986
Number 17 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 19
EninKa No. 19, 1986
Number 19 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 24
EninKa No. 24, 1986
Number 24 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 25
EninKa No. 25, 1986
Number 25 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 26
EninKa No. 26, 1986
Number 26 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 28
EninKa No. 28, 1986
Number 28 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 30
EninKa No. 30, 1986
Number 30 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 35
EninKa No. 35, 1986
Number 35 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 37
EninKa No. 37, 1986
Number 37 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 42
EninKa No. 42, 1986
Number 42 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
EninKa No. 49
EninKa No. 49, 1986
Number 49 from a series of 50 smoked paper monotypes with branding on gampi paper chine collé.
24½ x 18½"; 24½ x 18½".
Crown Point Press and Marcia Bartholme.
$11,500 fair market value    Unavailable
Fire
Fire, 1986
One from a series of 16 smoked paper monotypes with branding on gampi paper chine collé.
20 x 11½"; 20 x 11½".
Crown Point Press and Peter Pettengill.
$9,000 fair market value    Unavailable
Ryoku No. 4
Ryoku No. 4, 1985
Number 4 from a set of 13 color drypoints.
18 x 24"; 18 x 24". 10.
Crown Point Press and Marcia Bartholme.
$12,000 fair market value    Unavailable
Ryoku No. 6
Ryoku No. 6, 1985
Number 6 from a set of 13 color drypoints.
18 x 24"; 18 x 24". 10.
Crown Point Press and Marcia Bartholme.
$12,000 fair market value    Unavailable
Ryoku No. 8
Ryoku No. 8, 1985
Number 8 from a set of 13 color drypoints.
18 x 24"; 18 x 24". 10.
Crown Point Press and Marcia Bartholme.
$12,000 fair market value    Unavailable
Weather-Ed
Weather-Ed, 1983
Color photoetching.
18¾ x 10"; 26½ x 16". 25.
Crown Point Press and Lilah Toland.
$9,000 fair market value    Unavailable
Where R=Ryoanji: (R3)
Where R=Ryoanji: (R3), 1983
Drypoint.
7 x 21½; 9¼ x 23¼. 25.
Crown and Lilah Toland.
$12,000 fair market value    Unavailable
Where R=Ryoanji: R3
Where R=Ryoanji: R3, 1983
Drypoint.
7 x 21½"; 9¼ x 23¼. 25.
Crown Point Press and Lilah Toland.
$12,000 fair market value    Unavailable
Where R=Ryoanji: R2/1
Where R=Ryoanji: R2/1, 1983
Drypoint.
7 x 21½"; 9¼ x 23¼". 25.
Crown Point Press and Lilah Toland.
$12,000 fair market value    Unavailable
Where R=Ryoanji: R2/2
Where R=Ryoanji: R2/2, 1983
Drypoint.
7 x 21½; 9¼ x 23¼. 25.
Crown Point Press and Lilah Toland.
$12,000 fair market value    Unavailable
Where R=Ryoanji: R2/3
Where R=Ryoanji: R2/3, 1983
Drypoint.
7 x 21½; 9¼ x 23¼. 25.
Crown Point Press and Lilah Toland.
$12,000 fair market value    Unavailable
Where R=Ryoanji: 2R + 13.14
Where R=Ryoanji: 2R + 13.14, 1983
Drypoint.
7 x 21½; 9¼ x 23¼. 25.
Crown Point Press and Lilah Toland.
$12,000 fair market value    Unavailable
HV
HV, 1983
#2 from a series of 36 color monotype collagraphs.
11¾ x 18½"; 11¾ x 18½".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
HV
HV, 1983
#11 from a series of 36 color monotype collagraphs.
11¾ x 18½"; 11¾ x 18½".
Crown Point Press and Lilah Toland.
$8,000 fair market value    Unavailable
Dereau No. 1
Dereau No. 1, 1982
Number 1 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 2
Dereau No. 2, 1982
Number 2 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 3
Dereau No. 3, 1982
Number 3 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 4
Dereau No. 4, 1982
Number 4 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 5
Dereau No. 5, 1982
Number 5 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 6
Dereau No. 6, 1982
Number 6 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 7
Dereau No. 7, 1982
Number 7 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 8
Dereau No. 8, 1982
Number 8 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 9
Dereau No. 9, 1982
Number 9 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 10
Dereau No. 10, 1982
Number 10 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 11
Dereau No. 11, 1982
Number 11 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 12
Dereau No. 12, 1982
Number 12 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 13
Dereau No. 13, 1982
Number 13 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 14
Dereau No. 14, 1982
Number 14 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 15
Dereau No. 15, 1982
Number 15 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 16
Dereau No. 16, 1982
Number 16 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 17
Dereau No. 17, 1982
Number 17 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 18
Dereau No. 18, 1982
Number 18 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 19
Dereau No. 19, 1982
Number 19 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 20
Dereau No. 20, 1982
Number 20 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 21
Dereau No. 21, 1982
Number 21 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 22
Dereau No. 22, 1982
Number 22 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
14 x 18"; 14 x 18".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 23
Dereau No. 23, 1982
Number 23 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
11; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 24
Dereau No. 24, 1982
Number 24 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 25
Dereau No. 25, 1982
Number 25 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 26
Dereau No. 26, 1982
Number 26 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 27
Dereau No. 27, 1982
Number 27 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 28
Dereau No. 28, 1982
Number 28 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 29
Dereau No. 29, 1982
Number 29 from a series of 35 related color etchings with photoetching, engraving and drypoint in two impressions each.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 30
Dereau No. 30, 1982
Number 30 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 31
Dereau No. 31, 1982
Number 31 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 32
Dereau No. 32, 1982
Number 32 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 33
Dereau No. 33, 1982
Number 33 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 34
Dereau No. 34, 1982
Number 34 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 35
Dereau No. 35, 1982
Number 35 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 36
Dereau No. 36, 1982
Number 36 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 37
Dereau No. 37, 1982
Number 37 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
Dereau No. 38
Dereau No. 38, 1982
Number 38 from a series of 38 related color etchings with aquatint, engraving, photoetching and drypoint.
12 x 14"; 12 x 14".
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable
On The Surface No. 27
On The Surface No. 27, 1980-82
Number 27 from a series of 35 related color etchings in two impressions each.
18½ x 24½"; 18½ x 24½".
Crown Point Press and Paul Singdahlsen.
$10,000 fair market value    Unavailable
On The Surface No. 29
On The Surface No. 29, 1980-82
Number 29 from a series of 35 related color etchings in two impressions each.
18½ x 24½"; 18½ x 24½".
Crown Point Press and Paul Singdahlsen.
$10,000 fair market value    Unavailable
Changes and Disappearances No. 4
Changes and Disappearances No. 4, 1979-82
Number 4 from a series of 35 related color etchings with photoetching, engraving and drypoint in two impressions each.
11 x 22"; 11 x 22".
Crown Point Press and Lilah Toland.
$35,000 fair market value    Unavailable
Changes and Disappearances No. 16
Changes and Disappearances No. 16, 1979-82
Number 16 from a series of 35 related color etchings with photoetching, engraving and drypoint in two impressions each.
11 x 22"; 11 x 22".
Crown Point Press and Lilah Toland.
$35,000 fair market value    Unavailable
Changes and Disappearance No. 31
Changes and Disappearance No. 31, 1979-82
Number 31 from a series of 35 related color etchings with photoetching, engraving and drypoint in two impressions each.
11 x 22"; 11 x 22".
Crown Point Press and Lilah Toland.
$35,000 fair market value    Unavailable
17 Drawings by Thoreau
17 Drawings by Thoreau, 1978
Color photoetching; each print color unique.
22 x 28"; 24 x 36". 25.
Crown Point Press and Stephen Thomas.
$15,000 fair market value    Unavailable
Score Without Parts (40 Drawings by Thoreau): Twelve Haiku
Score Without Parts (40 Drawings by Thoreau): Twelve Haiku, 1978
Color hard ground and soft ground etching with drypoint, engraving and sugar lift aquatint.
13 x 18½"; 22 x 30". 25.
Crown Point Press and Stephen Thomas.
$10,000 fair market value    Unavailable
Seven Day Diary (Not Knowing) No. 7
Seven Day Diary (Not Knowing) No. 7, 1978
From a portfolio of seven color hard and soft ground etchings with sugar lift aquatints and photoetching.
5 x 3"; 12 x 17". 25.
Crown Point Press and Stephen Thomas.
$20,000 fair market value    Unavailable
Seven Day Diary (Not Knowing) No. 6
Seven Day Diary (Not Knowing) No. 6, 1978
From a portfolio of seven color hard and soft ground etchings with sugar lift aquatints and photoetching.
7 x 5¾"; 12 x 17". 25.
Crown Point Press and Stephen Thomas.
$20,000 fair market value    Unavailable
Seven Day Diary (Not Knowing) No. 4
Seven Day Diary (Not Knowing) No. 4, 1978
From a portfolio of seven color hard and soft ground etchings with sugar lift aquatints and photoetching.
10 x ¾"; 12 x 17". 25.
Crown Point Press and Stephen Thomas.
$20,000 fair market value    Unavailable
Seven Day Diary (Not Knowing) No. 3
Seven Day Diary (Not Knowing) No. 3, 1978
From a portfolio of seven color hard and soft ground etchings with sugar lift aquatints and photoetching.
7 x 2¼"; 12 x 17". 25.
Crown Point Press and Stephen Thomas.
$20,000 fair market value    Unavailable
Seven Day Diary (Not Knowing) No. 2
Seven Day Diary (Not Knowing) No. 2, 1978
From a portfolio of seven color hard and soft ground etchings with sugar lift aquatints and photoetching.
1¼ x 4¼"; 12 x 17". 25.
Crown Point Press and Stephen Thomas.
$20,000 fair market value    Unavailable
Seven Day Diary (Not Knowing) No. 1
Seven Day Diary (Not Knowing) No. 1, 1978
From a portfolio of seven color hard and soft ground etchings with sugar lift aquatints and photoetching.
1¼ x 2¾"; 12 x 17". 25.
Crown Point Press and Stephen Thomas.
$20,000 fair market value    Unavailable
Seven Day Diary (Not Knowing) No. 5
Seven Day Diary (Not Knowing) No. 5, 1978
From a portfolio of seven color hard and soft ground etchings with sugar lift aquatints and photoetching.
1½ x 6¾"; 12 x 17". 25.
Crown Point Press and Stephen Thomas.
$20,000 fair market value    Unavailable
Signals
Signals, 1978
Unique framed color etching, cancelled copper plates and 1 to 5 working drawings by the artist.
8 x 12"; 13 x 20". 25.
Crown Point Press and Lilah Toland.
$20,000 fair market value    Unavailable

In 1988 and 1989 John Cage delivered the Charles Eliot Norton Lectures at Harvard University, and the accompanying book (Harvard University Press) describes Cage in this way: “Without doubt the most in influential American composer of the last half century, John Cage has had an enormous impact not only on music but on art, literature, the performing arts, and aesthetic thought in general. His insistent exploration of ‘nonintention’ and his fruitful merging of Western and Eastern traditions have made him a powerful force in the world of the avant-garde.” Cage was born in Los Angeles in 1912 and died in New York City in 1992, less than a month before his eightieth birthday.

After graduating from Los Angeles High School, Cage spent two years at Pomona College, then six months traveling in Europe writing poetry and painting. Back in Los Angeles in the Depression years, he went door to door offering lectures on art and music to support his study of music composition. In 1934–36 he studied with composer Arnold Schoenberg, who persuaded him to give up painting in favor of music. Cage moved to New York City in 1942 and a year later presented a concert of percussion music at the Museum of Modern Art. He delivered the famous “Lecture on Nothing” in 1950 at the Artist’s Club, which was frequented by abstract expressionists. He was friendly with dancer Merce Cunningham and artists Jasper Johns and Robert Rauschenberg, and the work of each of the four was influenced by the others.

In 1951 Cage began composing music based on chance operations using the I Ching (Chinese Book of Changes) and in 1952 presented his most famous music composition, 4’33”, in which the performer sits quietly for four minutes and thirty-three seconds. The music heard by the audience consisted solely of ambient sound. Beginning in 1964, when the New York Philharmonic performed his Atlas Eclipticalis, Cage’s music works have been performed by great orchestras around the world. Beginning in 1961, when Wesleyan University Press released his Silence, an anthology of lectures and poetry, his writings have been published and republished.

Cage’s body of work in visual art consists mainly of works on paper. At Crown Point Press, he created etchings and monotypes over a period of fifteen years beginning in 1978. Starting in 1983, he made drawings on paper, and in two sessions at the Mountain Lake Workshop in Virginia, in 1988 and 1990, he produced watercolors, some very large. He also worked in lithography and with handmade paper, and designed several complex room-sized exhibitions, one for the Carnegie International in Pittsburgh in 1991. A 1992 survey of his visual art was held at the Museum of Contemporary Art, Los Angeles, and solo shows have been at the California Palace of the Legion of Honor in San Francisco (2000), the Phillips Collection in Washington, DC (1987), the Whitney Museum of American Art in New York (1982), and the Museum Folkwang in Essen, Germany (1978), among many other museums. His prints, drawings, and watercolors are in the collections of major museums, including the Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the Frankfurter Kunstverein in Frankfurt, Germany. His visual art is represented by the Margarete Roeder Gallery in New York.

-Kathan Brown, Crown Point Press

BOOKS ABOUT THE ARTIST

  • John Cage at Work, 1978-1992 (44 minutes)

    A film in four parts by Kathan Brown. This film is composed of vintage video clips of John Cage at work in the etching studio of Crown Point Press, in San Francisco. It begins with Cage's first etching project there, in 1978, and ends with his last one in 1992, the year he died. The film is separated into four parts, and each part is named for a material Cage used as a starting point, and each part focuses on the making of a series of prints. John Cage's approach to music, writing, visual art, and life was one of-a-piece, and in this film he demonstrates that approach, and describes it in his own voice.

  • John Cage Fire Prints at Crown Point Press, 1986 (2 minutes)

    Composer and artist John Cage uses fire to create an etching at Crown Point Press in San Francisco, 1986.