GESTURE: A Group Exhibition

March 14 - May 31, 2019

Mary Heilmann, Jacqueline Humphries, Brice Marden, Amy Sillman, Pat Steir, Charline von Heyl, and John Zurier

GESTURE: A Group Exhibition includes prints by Mary Heilmann, Jacqueline Humphries, Brice Marden, Amy Sillman, Pat Steir, Charline von Heyl, and John Zurier. Work by these artists complements Mary Weatherford’s new etchings; there is a connecting theme of gestural abstraction. Each artist demonstrates a unique ability to create a visual language in a non-representational narrative. Charline von Heyl takes a pragmatic and intentional approach to her art; like Weatherford, von Heyl believes the result is more important than the process. In her print Schatzi, the immediacy of the artist’s hand is represented through various expressive movements by using the intaglio processes of spit bite aquatint and soft ground etching. Mary Heilmann used memory in a way similar to Weatherford by creating bold monochromatic prints of wave-like forms, exemplified in her 2017 series New Lineup, Lineup 2, and Yellow Lineup.

Press Release

Mary Heilmann, Yellow Lineup, 2017
Color sugar lift aquatint with spit bite aquatint and aquatint on gampi paper chine collé.
12 x 10"; 18 x 15". 30.
Crown Point Press and Sam Carr-Prindle.
$3,500    InquireInquire
Charline von Heyl, Schatzi, 2014
Color spit bite aquatint and soft ground etching on gampi paper chine collé.
24 x 19"; 31 x 25". 20.
Crown Point Press and Fanny Retsek.
$4,000    InquireInquire
Charline von Heyl, Dust on a White Shirt (Evil Eye), 2014
Color sugar lift aquatint with soft ground etching and drypoint on gampi paper chine collé.
24 x 19"; 31 x 25". 20.
Crown Point Press and Fanny Retsek.
$4,000    InquireInquire
Charline von Heyl, Schmutzi, 2014
Color spit bite aquatint and soft ground etching on gampi paper chine collé.
24 x 19"; 31 x 25". 20.
Crown Point Press and Fanny Retsek.
$4,000    InquireInquire
John Zurier, Pale Spring, 2016
Color spit bite and sugar lift aquatints on gampi paper chine collé.
15 x 9½"; 22 x 15½". 15.
Crown Point Press and Emily York.
$3,000    InquireInquire
John Zurier, Echo, 2016
Color spit bite and sugar lift aquatints on gampi paper chine collé.
15 x 9½"; 22 x 15½". 15.
Crown Point Press and Emily York.
$3,000    InquireInquire
Mary Heilmann, Graffiti, 1998
Soap ground aquatint with color spit bite aquatint.
29½ x 21½"; 41 x 30½". 40.
Crown Point Press and Daria Sywulak.
$6,000 fair market value    Proof AvailableProof Available
Pat Steir, Wind and Water, 1996
Color soap ground aquatint with soap ground aquatint reversal, spit bite aquatint and drypoint.
35½ x 35½"; 44¼ x 43¼". 35.
Crown Point Press and Renée Bott.
$12,000 fair market value    Proof AvailableProof Available
Brice Marden, Five Plates, 1973
Portfolio of five aquatints with etching.
27½ x 19½"; 41 x 30½". 50.
Parasol Press and Patricia Branstead and Kathan Brown at Crown Point Press.
Unavailable
Jacqueline Humphries, 😺(ryb), 2016
Color sugar lift and spit bite aquatints with aquatint on blue gampi paper chine colle.
20 x 22"; 28 x 29". 15.
Crown Point Press and Sam Carr-Prindle.
$4,500    InquireInquire
Jacqueline Humphries, 💩 (blue), 2016
Color soap ground aquatint with aquatint and soft ground etching on blue gampi paper chine collé.
13 x 14"; 20 x 20". 20.
Crown Point Press and Sam Carr-Prindle.
$3,500    InquireInquire
Amy Sillman, S & E, 2007
Color sugar lift and spit bite aquatints with soft ground etching.
26 x 20"; 35 x 28". 20.
Crown Point Press and Catherine Brooks.
$5,500    InquireInquire
Amy Sillman, O & N, 2007
Color sugar lift and spit bite aquatints with soft ground etching.
26 x 20"; 35 x 28". 20.
Crown Point Press and Catherine Brooks.
$5,500 fair market value    Unavailable